That motley creature
flapping cool air, escaping
bump bump bump bump bump

its undercurrents
bump bump bump bump bump bump bump
if you leave your heart

ashen behind on
the ground and sail the high seas
bump incandescent

bump bump bump bump bump
One’s wings may wither and char
in a light storm bump

against siren curves
and bump from your body some
bump bump dark bump bump

bump inclement bump
bump precipitation bump
Be careful children!

Dust Unsettled for voice, trombone, cello, piano and percussion (2012)

Mauricio Pauly

Text borrowed from ‘Hombres que se caen del caballo’ (Men who fall off horses) by Gabriel Montagné Lascaris-Comneno.

Performance by Eunoia Ensemble on March 16th 2012 at the Gare du Nord in Basel, Switzerland.

JOHANNA GREULICH - soprano

STEPHEN MENOTTI - trombone

ELLEN FALLOWFIELD - cello

CLEMENS HUND-GÖSCHEL - piano

LOUISA MARXEN - percussion

[Broken Consort]

Paper for your wall

Can vegans listen
to the mother’s father
of the buddha Dada?

Broken consort breath!
What violence so doth moves
the air by horse-hair?

Fan art

emirychan:

THIS.

Preview of a work by the collective Really

Peter Kirn writes:

It’s worth considering that the recording itself is an anomaly in the history of music. “Old-timers” talk about recordings as though these strange objects are music, and as such, the perceived assault on their physical distribution and attack on the value of music itself. Yet, travel back in time just a couple of centuries in the millennia-long saga of human music making, and the recorded music object would seem like some dark art, a captured moment in time freezing something that is normally live, in-person, and human.

(Source: vimeo.com)

Stunted emotion
brought to life by dark black fur
this future is past.

(Source: Wikipedia)